Pamela Anderson Says Her 'Surprising' Broadway Debut in Chicago Is a 'Second for Me to Shine'

"I'm doing this for myself, which is uncommon," she made sense of Pamela Anderson is prepared for her rebound.

The Baywatch entertainer, 54, will before long make her Broadway debut as Roxie Hart - a wannabe vaudevillian who kills a man she is engaging in extramarital relations with and becomes popular subsequently - in Chicago. The eight-week commitment is set for April 12 through June 5 at the Ambassador Theater in New York City.

Showing up on Good Morning America Wednesday, Anderson conceded the requesting vocation move is "unforeseen" as far as she might be concerned. However, she said it was the ideal opportunity to reemerge the spotlight.

"It's great planning. My children are developed. My children are my greatest team promoters," she said. "... I feel like now is the right time. I want a test. I expected to follow through with something. I wanted this. I've been somewhat away for some time, you know, and I'm back."

Anderson made sense that she jumps at the chance to drive herself to where she gets the "insane inclination that you can't follow through with something and then you shock yourself." 

So what I'm genuinely interested in would I be able to do? Since I haven't put forth a concentrated effort too much in my life, aside from my youngsters. This is a genuinely incredible chance for me. I'm so honored and fortunate. I'm simply leaping off the scaffold into it and giving My very best, and I'm astounding myself singing and moving. The job is incredible."

It's unimaginable that anybody even offered me this job, so I will give it all I have. I won't let myself down; I won't let my family down. I feel like this is a second for me to sparkle. I'm doing this for myself, which is intriguing," said Anderson.

Glancing back at beginning her vocation on TV with Baywatch, she said, "I couldn't say whether I was equipped for that; presently I couldn't say whether I'm fit for this. 

An authority logline for the "conclusive" film considers it a "cozy picture installed in the existence of Pamela Anderson as she glances back at her expert and individual way and plans for the subsequent stages on her excursion."