Gulzar Saheb: Glad Birthday As the Wordsmith turns 86.
As Gulzar praises his 86th birthday celebration on Tuesday, here is a glance at 15 of his most mainstream melodies that are applicable to all ages.
Conceived Sampoorna Singh Kalra, the multi-hyphenated artiste Gulzar has given a whole country another jargon to cherish and live with. The man who started his excursion with Mera Gora Rang Lei Le (Bandini, 1963) keeps on enchanting a great many ages with his brightness just about six decades later.
Gulzar commends his 86th birthday celebration on Tuesday. He is a Padma Bhushan awardee and has been regarded with the Dadasaheb Phalke Award and the Sahitya Akademi Award. Aside from winning a Grammy just as an Oscar for his melody, Jai Ho for Danny Boyle's Slumdog Millionaire, Gulzar additionally has five National Film Awards and 21 Filmfare Awards shockingly.
Gulzar had once said that he remains important following quite a while of composing by "feeling the beat of the chasm mohalla, the country, the globe that I live in. Being an expert of Urdu doesn't intrigue me, being a piece of the worldwide society does, breathing expectation into that society matters to me".
In an old meeting given to Rajya Sabha TV, Gulzar once uncovered how his companionship with another praised lyricist Shailendra pushed him to go for composing tunes and afterwards coordinating movies. Gulzar's energy for writing was stopped after the India-Pakistan Partition. He went to his sibling in Mumbai, however, this course of action didn't exactly work for long and Gulzar enlisted himself for formal instruction in Mumbai once more. When Shailendra sent Gulzar to meet Bimal Roy, he additionally interacted with artistes like Salil Chaudhary, Hrishikesh Mukherjee, Basu Bhattacharya.
It gave Gulzar the establishment he generally needed. In any case, the artist said in his meeting that he would not like to compose for films for long by then of time and had revealed to Bimal who has requested that he remain in the game. Bimal additionally revealed to Gulzar it was fine on the off chance that he would not like to compose for films, however, the engine carport was not the spot he ought to concentrate on. Gulzar said in the meeting that the lines made him cry and that was presumably the start of an ace narrator in Hindi movies.
In the wake of giving us jewels like Ijaazat and Mausam, Gulzar quit coordinating movies with Hu Tu (1999). He has, in any case, kept on writing some of the best lines in tunes, sonnets, discoursed in a state of harmony with the current age